I was skeptical of some of what the Smithsonian proposes to do to its campus near the Castle on the National Mall. Over the fifteen years I’ve lived in Washington, I’ve watched gardens grow along the Mall, and watched how people flock to those gardens. The Mall is good for framing views of the Capitol and the Lincoln Memorial, and it is an historically and symbolically powerful place to gather and address the seat of national power. But it is an oppressively rationalized landscape, and the emergence of small gardens at the National Museum of the American Indian, the Botanical Garden and the Bartholdi Fountain has begun to humanize the Mall. That’s why I so strongly support the Frank Gehry design for the Eisenhower Memorial, the core of which is another park-like space with a human scale, yet another possible escape from the barren reaches of the Mall. And that’s why I’m skeptical of the Bjarke Ingels Group (BIG) design unveiled by the Smithsonian last November. It would disrupt this trend toward smaller, secluded and contemplative spaces along the Mall for something more connected, “vibrant,” and open.
But the exhibition designed by BIG that opened at the National Building Museum on Saturday offers encouraging insight into the firm’s thinking. For the first time, an installation has been designed that actually engages with the monumental architecture of the Pension Building. And it also makes a strong case for the intellectual seriousness and adaptability of the firm’s design process. I recommend it highly in tomorrow’s Washington Post. And I feel a little better about how the Smithsonian project may turn out.