The young Polish pianist is very much worth hearing. He came through Washington to make his local debut at the Kennedy Center this past weekend. I reviewed it for the Post. One of the things I most enjoyed was his courage to confront what I call Chopin’s “memory effect”:
There is a recurring trope in Chopin’s music that one might call the “memory effect.” Out of inwardness, darkness and anxiety a melody will emerge, simple, childlike, barely adorned, like a nursery rhyme remembered in the midst of a shipwreck. The power of these terrifying flashes of something sweet and uncorrupted embarrasses all too many pianists.
Photo courtesy Washington Performing Arts Society