Category Archives: Opera

Farewell Opera Boston

           The impact of the economic crises seems to hit the arts in painful slow motion. The most recent sign of serious distress is the announcement that Opera Boston will shut down, largely because of “lackluster fundraising in a tough … Continue reading

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Newt Gingrich: Opera Lover

    As Newt Gingrich rises in the polls, it’s worth putting one little item on the table of public discourse: He loves opera. In Washington, lots of people love opera, but it’s rare for politicians with national ambitions to love … Continue reading

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Opera and “Der Blaue Engel”

Joseph von Sternberg’s “Der Blaue Engel” is generally acknowledged the first great German sound film, and no surprise then that it is remembered primarily as a vehicle for Marlene Dietrich, who sings up a storm of desire and despair. But … Continue reading

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Salome at the Washington National Opera

A few quick thoughts on the Washington National Opera’s production of Salome, which I saw Friday evening. Deborah Voigt works very hard in the title role, and you sense the work every step of the way. In the first two … Continue reading

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Joan Sutherland, dead at 83

The epithets were all deserved. Voice of the Century? Yes, absolutely. La Stupenda? I can’t imagine applying the words to anyone else. Orthodoxy compelled one to place Joan Sutherland a close second to Maria Callas when assessing the greatest sopranos … Continue reading

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Un ballo in maschera at Washington National Opera

Last night, I took in the last performance of the Washington National Opera’s season-opener, Un ballo in maschera, by Verdi. I’ve always put Ballo in the same category as Il Trovatore, a musically infectious work with a silly libretto. But … Continue reading

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The Bed Intruder Song

Journalists spend way too much time chasing the ephemera of Youtube, which is a hungry, hungry medium. But I had just finished doing a little project on the music of Leos Janacek when I discovered the Bed Intruder Song, which … Continue reading

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On Wagner’s Ring

It always amazes me that there are people who love Wagner’s Der Ring des Nibelungen without reservation, who find it essentially a perfect work of art. I love it… and hate it. I am blown away, every time I make … Continue reading

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Hvorostovsky, Radvanovsky and Verdi, at the Kennedy Center

At least twice last night, baritone Dmitri Hvorostovsky drew a finger across his brow after singing, as if to wipe off a little bit of sweat, as if to remind the public that the great stream of dark, smooth sounds … Continue reading

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Where do we find the time for opera?

Opera News editor Brian Kellow approached me a few months ago with that question, which inspired a short riff in the April issue.  Here’s a sample: What is the elevator pitch for Wagner’s Parsifal? Is there any opera today that could … Continue reading

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