When I visited St. Petersburg last May, the Mariinsky 2 was still a work zone. Now it’s open. The new building is undistinguished and even quite ugly from the outside. I haven’t seen the inside yet. But I did write about the controversy over its site, cost and design in this month’s issue of Opera News. A chance to look at the deep authoritarian habits of mind that still rule so much of Russian culture.
Category Archives: Architecture
Dwell magazine has posted a story I wrote about a new house in Seoul, designed by the magnificent architect Steven Holl, who was recently chosen to reconfigure parts of the Kennedy Center campus. Holl was looking through a book called Notations, a compendium of contemporary music edited by the composer John Cage. Struck by the unique graphic design of Istvan Anhalt’s 1967 Symphony of Modules, Holl used Anhalt’s score as inspiration for the new Daeyang House and Gallery. Anhalt’s score, one of those everything-and-kitchen-sink beasts that composers loved to write in the 1960s, has never been performed. But the composer’s widow was pleased to see her husband’s work memorialized in Holl’s design, and sent the architect a note saying so. In my article I look at the unique design, its inspiration, and the complicated question of how, or if, music and architecture are related.
Last week, I spent two and a half very pleasant days at the Aspen Ideas Festival, an annual meeting of intellectual leaders from around the planet, with a focus this year on China. I moderated two panels, one on telling stories through film, another on re-imagining public space. I wrote up a few thoughts I brought home from my time there at the Post’s The Style Blog.
I think the New York Times columnist gets a lot wrong in the piece he published yesterday about the Eisenhower Memorial. I agree with him that Americans have a hard time with authority, with acknowledging and honoring greatness and with the dynamics and paradoxes of power. But I think the strength of Frank Gehry’s design for a monument to the 34th President of the United States is precisely its suppleness in dealing with these issues. My real beef with Brooks op-ed is that it doesn’t seem like he did much homework before writing it. My take here.
There’s yet more action. The desire of Interior Secretary Ken Salazar to see models and meet with the Eisenhower family and architect Frank Gehry has effectively put a stop (temporary, one hopes) to the approvals process for the memorial. There are a lot of unknowns, whether the Eisenhowers are using political pressure on the Obama administration (denied by Susan Eisenhower and Salazar’s office), or if Salazar is merely trying to be a peace maker, or is worried about this coming back to bite him and the National Park Service if everything isn’t smoothed out now. In any case, the usual judgements apply: The Eisenhower Family is being accorded undue influence over a public memorial; the process so far has included a competition conducted according to established and respected government rules; it has already received unanimous approval by the bi-partisan Eisenhower Memorial Commission (including early on grandson David Eisenhower), and enthusiastic preliminary approval from the Commission of Fine Arts. The Eisenhowers will likely try to grind down Gehry, delaying the process and demanding the evisceration of one of the most interesting, innovative and exciting memorial designs since Maya Lin gave us the Vietnam Veterans Memorial. Washington is so predictable.
The Eisenhower Memorial saga continues, with Rep. Darrell Issa urging the Eisenhower Memorial Commission to delay going before the National Capital Planning Commission this summer. He wants documents pertinent to the process that led to Frank Gehry’s selection as architect. So he’s written a letter to the EMC, which has a certain force given that Issa holds an ex-officio seat on the NCPC. Delay at all costs seems to be the current strategy of memorial opponents.
The Eisenhower grandchildren gave their official response to the latest round of design changes to the proposed Eisenhower Memorial, which came from Frank Gehry’s office earlier this month. It’s distressing to see Interior Secretary Ken Salazar call for slowing the process down, which is exactly what the Eisenhower family wants. It’s distressing to see the Obama administration put the 34th President’s grandchildren in the position of vetoing the work of one of this country’s greatest architects. But the Eisenhower Memorial Commission, and Gehry, have been very gentlemanly about this process, rising above Susan Eisenhower’s invocation of Hitler’s death camps and Stalinist design in an effort to tarnish Gehry’s work. And they are once again attempting to address the family’s concerns and move the process forward. That probably sets a bad precedent in the future for empowering distant family members to determine the shape of what should be public monuments and memorials. But it is the well-mannered thing to do and is no doubt the politically expedient course of action. We’ll see if it works.
Credit: Image courtesy of Gehry Parterns, LLP, May 2012
This story got lost in the Sunday mix (even I had a hard time finding it and I know how to search). But I reviewed the new building and installation of the Barnes Foundation collection in today’s Sunday Post. I think the new facility is beautifully done, even with the pall of controversy that hangs over the entire project. Here.