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	<title>Comments on: Thrice-told tales, and worse</title>
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	<link>http://philipkennicott.com/2009/07/03/thrice-told-tales-and-worse/</link>
	<description>Architecture, Music, Culture and Journalism</description>
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		<title>By: philipkennicott</title>
		<link>http://philipkennicott.com/2009/07/03/thrice-told-tales-and-worse/#comment-117</link>
		<dc:creator><![CDATA[philipkennicott]]></dc:creator>
		<pubDate>Thu, 09 Jul 2009 21:52:49 +0000</pubDate>
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		<description><![CDATA[That &quot;interesting review&quot; was, I believe, the one I wrote, and the one that is linked to above (click on &quot;new film&quot;). But while claiming credit for the review, I hate to be placed in the &quot;journalist&quot; category if that means losing claim to &quot;elusive and dreamy reverence.&quot; I can be dreamy. I can be reverent. I can be very, very elusive.]]></description>
		<content:encoded><![CDATA[<p>That &#8220;interesting review&#8221; was, I believe, the one I wrote, and the one that is linked to above (click on &#8220;new film&#8221;). But while claiming credit for the review, I hate to be placed in the &#8220;journalist&#8221; category if that means losing claim to &#8220;elusive and dreamy reverence.&#8221; I can be dreamy. I can be reverent. I can be very, very elusive.</p>
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		<title>By: Clarke Bedford</title>
		<link>http://philipkennicott.com/2009/07/03/thrice-told-tales-and-worse/#comment-116</link>
		<dc:creator><![CDATA[Clarke Bedford]]></dc:creator>
		<pubDate>Thu, 09 Jul 2009 21:28:48 +0000</pubDate>
		<guid isPermaLink="false">http://philipkennicott.com/?p=393#comment-116</guid>
		<description><![CDATA[There was an interesting review of the movie in the Washington Post, essentially saying that the art world needs the Vogel story as a counterpoint to the generally held suspicion that contemporary collecting is a kind of &quot;confidence game&quot;...and that explains the mantra-like repetition. Of interest to me (I am a conservator in a contem. art mus.) is the difference between the sensibility of the movie critics in the Post and that of the art critic. The former cut to the chase (both pro- and con-) and easily engage humor, especially - not surprisingly -the acerbic variety; the latter avoids humor, adopting an elusive and dreamy reverence. In other words, one (sounds to me) journalistic and the other academic.

CB]]></description>
		<content:encoded><![CDATA[<p>There was an interesting review of the movie in the Washington Post, essentially saying that the art world needs the Vogel story as a counterpoint to the generally held suspicion that contemporary collecting is a kind of &#8220;confidence game&#8221;&#8230;and that explains the mantra-like repetition. Of interest to me (I am a conservator in a contem. art mus.) is the difference between the sensibility of the movie critics in the Post and that of the art critic. The former cut to the chase (both pro- and con-) and easily engage humor, especially &#8211; not surprisingly -the acerbic variety; the latter avoids humor, adopting an elusive and dreamy reverence. In other words, one (sounds to me) journalistic and the other academic.</p>
<p>CB</p>
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